if you didn’t I wouldn’t It’s you knowing it’s too awful I can’t but tell

A scene from section 1 of Love and Information by Caryl Churchill SECRET please please tell me no please because I’ll never don’t ask don’t ask I’ll never tell no no matter what it’s not I’d die before I told it’s not you telling, even if you didn’t I wouldn’t It’s you knowing it’s too awful I can’t but tell me no because if you don’t there’s this secret between us stop it if there’s this secret we’re not please we’re not close any more we can’t ever but nobody knows everything about yes but a big secret like this it’s not such a big then tell me will you stop it’s big because you won’t tell me no I won’t. Is it something you’ve don’t start guessing or something you want to please or you’ve seen or heard or know or please and if it’s something you’ve

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done is it a crime or a sin or just embarrassing because whichever no I don’t want you to know. All right. All right I’ll tell you you don’t have to I’ll tell you yes tell me because I’ll never it’s not that tell me because I’ll always all right I’m telling you. Tells in a whisper. no yes no I warned you but that’s yes oh no that’s yes how could you I did. Now what? now what? now what? question? What feeling(s) do you want the audience to experience during the scene? What do you want the audience to go away thinking about? How many characters?  What is their relationship to each other? Where is this scene taking place? What is the secret? (The actors need to know this in order to play the scene.  It does not change the text itself – just the way they say the text.)

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